(Built to Live Anywhere, at Home Here by Nancy Rubins, 2010-11)
We began our voyage to Niagara Falls with a stop in
Syracuse, NY to visit the Everson Museum of Art and the Syracuse University Art Museum. It was raining lightly, which didn’t keep us from tracking down a few sculptures:
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Delphi by Lila Katzen, 1975 |
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Two Piece Reclining Figure No 3 by Henry Moore, 1961. |
Beginning as the Syracuse Art Museum in 1897, the current home of the
Everson Museum of Art is the first museum designed by I.M. Pei in 1968. The permanent collection is mainly American, by design, the Gilbert Stuart
George Washington and Edward Hick’s
Peaceable Kingdom, their best known holdings. They also committed to major collections of ceramics and, it turns out, has the largest video collection in the world.
The special exhibition was
From New York to Corrymore: Robert Henri and Ireland and photos were not allowed. It was mostly portraits and here are four I was able to scan:
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Pet (Wee Annie Lavelle), 1927 |
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Old Johnnie's Wife, 1913 |
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Catherine, 1913 |
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Tom Cafferty, 1924 |
Best known as the leader of
The Eight (
see blog), Henri traveled to Ireland extensively between 1914 and 1928. Here are a few other pieces we found in the museum:
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Red Composition by Jackson Pollock, 1946 |
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Portrait of the Artist's Daughter by J. Alden Weir, ca 1880 |
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Realm of Muses II by Margie Hughto, 1992 |
The ceramics were in the basement and consisted of glass cases packed with work:
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just a small portion |
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Ceramic Form by Ka Kwong Hui, 1968 |
Click here to see more paintings, pieces, and sculptures.
It was still raining when we went up the hill to
Syracuse University. While the first class of SU began in 1876, the school’s roots go back to 1832, and it now has a student body of over 14,000.
SU has a permanent art collection of over 45,000 objects from artists including Picasso, Rembrandt, Hopper, Tiffany and Dali. Photos were not allowed, but I snuck these two of Elizabeth Murray’s:
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Bill Alley by Elizabeth Murray, 2006 |
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Jazz by Elizabeth Murray, 2001 |
We found a show in one building:
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by Claire Stankus |
There are more than 100 paintings, sculptures, and murals displayed around campus. Here are a couple:
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Herakles the Archer by Emile Antoine Bourdelle, 1909 |
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Six Curved Walls (Syracuse) by Sol LeWitt, 2004 |
CLICK HERE TO SEE OTHERS WE FOUND.
And then we found a tree full of sneakers:
We continued on to the Canadian side of
Niagara Falls, where we had a honeymoon suite at the Imperial Hotel, with a heart-shaped tub, and a big window overlooking the Falls and attractions:
We had dinner at the
Love Boat.
The next morning, we had planned to have breakfast in
Buffalo before visiting the art museum there, but we were greeted by an early morning snowstorm. Notice the foreground in comparison to the one above:
The snow was coming down sideways and accumulated fast. The roads became hazardous so we returned to the hotel. We thought we’d be stranded for the day, but then it suddenly stopped and the sun came out. The snow melted and we drove to Buffalo. There we found sculpture:
to have a grip on the earth so the whole of this globe can quiver
by Reinhard Reitzenstein, 2010
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Coronation Day by Kenneth Snelson, 1980 |
And the magnificently Art Deco, City Hall:
CLICK HERE FOR MORE SCULPTURES:
But before we got to the art museum, the snowstorm returned. I wouldn’t let it stop me from shooting sculptures, however:
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Flat Rate II by Lyman Kipp, 1969 |
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Karma by Do Ho Suh |
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Stacked Revision Structure by Liam Gillick, 2005 |
And then it was gone.
The Albright-Knox Art Gallery was founded in 1862, making it one of the oldest public art institutions in the US. It is located at the edge of Frederick Law Olmsted’s Delaware Park. The bad news was that the majority of the galleries would be closed to us as they prepared to install a new special exhibition for their 150th anniversary. The good news was that what we were able to see was wonderful. Here are just a few pieces:
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Gotham News by Willem de Kooning, 1955 |
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Painting No 46 by Marsden Hartley, 1914-15 |
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Untitled by Alexander Calder, 1947 |
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The Liver is the Cock's Comb by Arshile Gorky, 1944 |
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Woman Sewing by Berthe Morisot, ca 1879 |
CLICK HERE TO SEE LOTS MORE PAINTINGS AND SCULPTURES.
Suddenly, we were in another snow squall. The third of the day, I think. But soon, it too died out. We drove north to Niagara University and the
Castellani Art Museum. On the way, we stopped at the Niagara Power Vista, where we learned about one of the largest power producing dams in the country. Second only to Grand Coulee, with more capacity than the Hoover Dam. They also had this Thomas Hart Benton painting:
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Father Hennepin’s Discovery of Niagara Falls by Thomas Hart Benton, 1961 |
The Castellani, we discovered, was closed. No reason given. They just locked the doors and turned off the lights. Bummer. There were, however, these sculptures:
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Bollard by Joel Fisher, 1987 |
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Majestad II by Betty Gold, 2004-05 |
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Portrait of George Bernard Shaw by Jacob Epstein, 1934 |
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Disc #1 by Jack Squier, 1969 |
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Untitled by Mel Kendrick, ca 1990 |
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High Five by Joel Perlman, 1980 |
Next stop was the American side of the Falls. It is all so much drearier there, in addition to the weather. But we made our way through the old state park to the edge of the
American Falls:
And walked across to Goat Island, to get a better look at
Horseshoe Falls:
It was pretty windy and cold, but there were some who chose not to wear a coat.
The lights are much brighter of the Canadian side:
On Saturday, we drove to
Toronto. There we found sculptures. Here’s a couple:
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Flower Power by Mark di Suvero, 1967 |
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Bobber Plaza by Douglas Coupland, 2009 |
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The Audience by Michael Snow, 1989 |
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untitled mountain by Anisa Kapoor, 1995 |
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Button and Thimble by Stephen Cruise |
CLICK HERE FOR LOTS MORE.
And then the
Art Gallery of Ontario. In addition to the almost $20 admission, there was a $1 charge for the coat check, and then I was told that no photos were allowed at all. Except for the “architecture.” So here it is:
In truth, there wasn’t much that we would have shot. Not surprisingly, the majority of Art was by Canadian artists. Wild contemporary (they did include Andy Warhol and a couple of others) and lots of landscapes. We did find a couple that were of interest, including members of “The Group of Seven.” Consisting of seven men who focused on Canadian landscapes in the 1920's, Lawren Harris and A.Y. Jackson were the only two we liked.
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The Group of Seven |
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Afternoon Sun by Lawren Harris |
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by Lawren Harris |
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by A.Y. Jackson |
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St Johns, Newfoundland, 1951 by A.Y. Jackson |
Emily Carr, who was associated with the group but not a member, had numerous paintings in the museum.
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Autumn Woods by Emily Carr |
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by Emily Carr |
Even in the exhibits of European Art, they oddly included Canadians. There was a very nice Marie Laurencin, as well as a Rembrandt, and a Renoir.
There were rooms of decorative and religious art, which we were able to ignore, as well as displays of prints and photos that were not very interesting.
The mild temperatures finally arrived on Sunday morning, so we walked to the edge of the gorge from our hotel and enjoyed the views:
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